![]() In actual fact, the re-recording was undertaken in studios in Paris and London where the heavy breathing was claimed to have been meticulously stage-managed by Gainsbourg. Rumours had circulated that the pair recorded some of the more intimate parts of the song by placing a microphone underneath their bed. A willing companion was, however, found in new love interest Jane Birkin. Moaning and groaning on recordĪfter shelving the original Bardot recorded version, Marianne Faithfull and Valérie Lagrange (among others) were approached to make feminine “noises”, as it were, but both declined. The pair would remain a couple until 1980, and inseparable friends until the end of Serge’s life. with Gainsbourg passed out drunk on the bed. Unfortunately, due to the amount of alcohol consumed throughout the date, the first night the pair spent together was in a hotel room. Under the impression that her co-star hated her, Birkin arranged a dinner with him over which Gainsbourg, 18 years her senior, fell in love. Playing opposite him was a charming, young English actor called Jane Birkin. Distraught after the collapse of his relationship with Bardot, Gainsbourg occupied himself with a role in the 1969 film Slogan. ![]() This was how the wooing of his next major love interest was widely reported, but it’s not necessarily the truth. “Enticing” and entrapping a young English rose Bardot later went on to release the recording in 1986. News of the recording had reached her husband, German businessman Gunter Sachs, and after desperate pleas, Gainsbourg relented to Bardot’s wishes and the version was shelved. The song had been mixed and readied for radio when Bardot, remembering that she was married, revoked her consent for its release. Throughout the two-hour session, sound engineer William Flageollet claimed to have witnessed “heavy petting” in the vocal booth while the sighs and whispers were committed to tape. Upon hearing Je T’aime … Moi Non Plus, Bardot headed to a Parisian studio with her new beau to record it. Understandably, this upset Bardot’s husband. Recording songs in steamy, sweaty vocal booths (also with Brigitte Bardot) The next morning, there were two: Bonnie et Clyde and Je T’aime … Moi Non Plus. Thinking he had ruined his chances with the sultry blonde, he returned home to hear a ringing phone over which Bardot insisted that as an apology for his poor performance on the date, he write her the most beautiful love song ever heard. ![]() So intimidated was he by her stunning looks that on the date, he lost all of the wit and charisma that he was renowned for. In 1967 Gainsbourg became infatuated with the French siren who, while enduring a difficult time in her marriage, agreed to go on a date with him. ![]() ![]() Dating the already married Brigitte Bardot Upon discovering the dual meaning of the risqué lyrics, Gall refused to perform the song and never worked with, nor spoke to Gainsbourg again. A trust that would be well and truly scuppered with the release of Les Sucettes (Lollipops) in 1966, the story of a girl who is “in paradise” every time “that little stick is on her tongue”. A resounding win at the competition, combined with the success of their previous collaborations such as 1964’s Laisse Tomber Les Filles led Gall to trust Gainsbourg to a point that she would sing more or less whatever he presented her with. 1965 saw French sweetheart France Gall take to the Eurovision stage to perform a Gainsbourg-penned entry, Poupée de Cire, Poupée de Son (later covered by Arcade Fire). ![]()
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